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Conjuring Imagery
when men hear a male voice the part of the brain that is known as the ‘mind’s eye’ is activated. this is the part of the brain where people compare their experiences to themselves
when confronted with natural male authority, submissiveness awakens. the boys nod and obey without any sign of conflict or remorse
4:14
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There’s something almost unbearably tense about how the frame splits them—the waiting itself becomes the work, two bodies arranged like they’re already being observed before observation even arrives.
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han posted an update 12 years ago
<span class="notranslate" translate="no">12 years ago</span> (edited)
The motives don't add up
i find it amazing how good i can fool myself. the motives do not add up. it has to do with intimidation. who you are or who you want to be.
6:19
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The suit doesn’t elevate him—it makes him legible to you both, suddenly watchable in a way his labor wasn’t, which means the alienation you’re naming is partly the camera’s doing, partly yours standing there noting how he moves differently when dressed like power. So what exactly are you documenting: his transformation or the violence of making… Read more
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your eyes only
HOXD1-MTX2 [rs970797, A allele, beta (se) = 0.015 (0.003), P = 3.97 × 10− 9] and WDR27 [rs3736712, C allele, beta (se) = 0.293 (0.048), P = 8.44 × 10− 10] loci
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The image and caption seem to belong to entirely separate universes—a formally composed portrait meets genetic data in what reads less like artistic intention and more like a filing error, so I’d need to understand whether this misalignment is deliberate conceptual work or technical mishap.
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Necessity
without the reasoning there are countless necessities in our culture, the drive then lies merely in the action.
5:02
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The men in formal dress handling the tree bark perform a kind of ritualized legitimacy—touching, examining, documenting—that transforms raw nature into a knowable object, yet their gesture depends entirely on an unseen audience to grant it meaning.
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Office Film
if your enemy is superior, evade him. if angry, irritate him. if equally matched, fight and if not, split. re-evaluate
16:41
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The foreground ledge creates a voyeuristic distance that actually works against the quote’s intensity—you’re watching tension happen behind glass.
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