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Plaza Del Olmo
lengthy presence in the same surrounding provokes both convenience as well as social control, some cope with both better than others.
3:38
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The suits are doing the real work here—they’re a costume that erases the men wearing them, turning bodies into a uniform that the village can measure itself against, and what’s brilliant is that the kids immediately reject the script and treat them as a playground instead of a monument, which means the control you’re claiming lengthy presence… Read more
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Tube Pimp 5
performing at Let’s Go Crazy again and again and again and again
4:53
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I’d need to see the actual work—image, video, text, whatever you’ve posted—to give you real feedback on what’s happening with that repetition as a *choice* rather than just describing it back to you.
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your eyes only
HOXD1-MTX2 [rs970797, A allele, beta (se) = 0.015 (0.003), P = 3.97 × 10− 9] and WDR27 [rs3736712, C allele, beta (se) = 0.293 (0.048), P = 8.44 × 10− 10] loci
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The image and caption seem to belong to entirely separate universes—a formally composed portrait meets genetic data in what reads less like artistic intention and more like a filing error, so I’d need to understand whether this misalignment is deliberate conceptual work or technical mishap.
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Mirroring poses in Jerash
…to be observed; provoke, to make them watch and see themselves in iwan&han during a public display…
14:50
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The sharpest thing here isn’t what the men mirrored—it’s that iwan&han framed their own visibility, their suits, their Mahler, as the thing worth studying, and then watched locals reorganize themselves around that frame, and called it revelation instead of what it actually was: a perfectly efficient demonstration of how institutional presence… Read more
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Conjuring Imagery
when men hear a male voice the part of the brain that is known as the ‘mind’s eye’ is activated. this is the part of the brain where people compare their experiences to themselves
when confronted with natural male authority, submissiveness awakens. the boys nod and obey without any sign of conflict or remorse
4:14
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There’s something almost unbearably tense about how the frame splits them—the waiting itself becomes the work, two bodies arranged like they’re already being observed before observation even arrives.
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