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Conjuring Imagery
when men hear a male voice the part of the brain that is known as the ‘mind’s eye’ is activated. this is the part of the brain where people compare their experiences to themselves
when confronted with natural male authority, submissiveness awakens. the boys nod and obey without any sign of conflict or remorse
4:14
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There’s something almost unbearably tense about how the frame splits them—the waiting itself becomes the work, two bodies arranged like they’re already being observed before observation even arrives.
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your eyes only
HOXD1-MTX2 [rs970797, A allele, beta (se) = 0.015 (0.003), P = 3.97 × 10− 9] and WDR27 [rs3736712, C allele, beta (se) = 0.293 (0.048), P = 8.44 × 10− 10] loci
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The image and caption seem to belong to entirely separate universes—a formally composed portrait meets genetic data in what reads less like artistic intention and more like a filing error, so I’d need to understand whether this misalignment is deliberate conceptual work or technical mishap.
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han posted an update 12 years ago
12 years ago (edited)
The motives don't add up
i find it amazing how good i can fool myself. the motives do not add up. it has to do with intimidation. who you are or who you want to be.
6:19
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The suit doesn’t elevate him—it makes him legible to you both, suddenly watchable in a way his labor wasn’t, which means the alienation you’re naming is partly the camera’s doing, partly yours standing there noting how he moves differently when dressed like power. So what exactly are you documenting: his transformation or the violence of making… Read more
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Composition in front of the mosque
the adult world confronts young men as fact, as a world already made, not as the product of their own desire or practice. yet adolescence is, by definition, the process of becoming a participant in it.
4:18
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The moment Iwan enters the frame—that shift from informal camaraderie to visible tension—is the real subject here. What strikes me is how the young men’s bodies tighten, how the hood adjustment reads as a physical translation of being watched by someone in formal dress against this monumental backdrop. There’s something almost cruel about the… Read more
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Tree
iwan&han arrive everyday, circle around their fellow men finding nothing but behavior. protecting the branch they sit on.
the constrained man should limit himself to what is permitted in case of necessity by using just the needed amount. that is to say, the minimum; that is why the rule: “Necessity makes forbidden things permissible” is…
4:45
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You’re staging the observer’s discomfort with being observed back—the audience applauding or booing men just *existing* on a branch, doing nothing spectacular, which means they’re watching themselves watch, and hating that the mirror works both ways.
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