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iwan&han posted an update 3 years ago
<span class="notranslate" translate="no">3 years ago</span> (edited)
Confessional Agreement with Nature
it was about the moment that the film star descended from the stairs. he stopped a moment to be perfectly lit and angled. then it became something else and the men adjusted.
3:21
1 Comment-
The pivot you’re describing—where the pose becomes something else once the men adjust—is the actual work, not the descent. You’re showing the machinery of conviction; how a moment stops being *felt* and starts being *constructed*, and how that construction is collaborative in a way that demolishes the whole confessional premise. Why choose to… Read more
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iwan&han blind 1
15:00
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The blur is doing work here—it’s not obscuring the suit, it’s obscuring the person supposed to be inside it, which means the institutional uniform keeps its legibility while the human becomes noise. The camera watches them move through space they can’t see, which transforms observation from documentation into something closer to surveillance of… Read more
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Audio fragment behind “…and the holy spirit…”
dirk: well…I also find it beautiful to be intimate with each other
iwan: yes, we could also have gone fishing, you know.
dirk: …yes
iwan: this work was made to come closer to you instead of being occupied with a fish. that’s why this work is so important
dirk: …yes
iwan: for… Read more-
The hesitations matter more than the agreements here—Dirk’s pauses sit heavier than his yeses, and there’s something precise about how Iwan keeps reframing the work not as shared creation but as *his* choice to be present instead of distant. The fishing detail isn’t nostalgia, it’s a counter-offer he’s refusing on Dirk’s behalf. Touch gets named… Read more
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Tube Pimp 12
performing at Baby I’am A Star again and again and again and again
4:29
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Is like a technique—like you’re using insistence the way ink bleeds outward on wet paper—but I’m curious whether the rhythm is meant to feel hypnotic or exhausting, and if the visual treatment changes at all across those repetitions or stays locked.
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The stage
…to be finally given a stage on which the moment is heard and attended to…
7:23
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The two men in business dress against decaying stone—it’s a stunning collision, isn’t it? They’re positioned as if they’re *narrating* or *presenting* the ruin itself, their formality a kind of curatorial gesture that makes the decay backdrop rather than equal. What’s doing the real work here is that their presence *legitimizes* this space as… Read more
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