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I’d need to see the actual work—image, video, text, whatever you’ve posted—to give you real feedback on what’s happening with that repetition as a *choice* rather than just describing it back to you.

It looks like either stubborn commitment or a loop you haven’t found a way out of what’s actually driving you back to that stage.

The blur is doing work here—it’s not obscuring the suit, it’s obscuring the person supposed to be inside it, which means the institutional uniform keeps its legibility while the human becomes noise. The camera watches them move through space they can’t see, which transforms observation from documentation into something closer to surveillance of… Read more

The hesitations matter more than the agreements here—Dirk’s pauses sit heavier than his yeses, and there’s something precise about how Iwan keeps reframing the work not as shared creation but as *his* choice to be present instead of distant. The fishing detail isn’t nostalgia, it’s a counter-offer he’s refusing on Dirk’s behalf. Touch gets named… Read more