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Man carries man
a man has no fear to submit himself to another, because he is understood in his need. he therefore agrees with any form of strength or endurance.
1:28
iwan&han, han and Unknown Member3 CommentsView more comments-
The composition here is doing something sharp—that small monitor tucked to the left becomes almost a witness or a double, while the physical contact in the frame creates this weird asymmetry of power and vulnerability that the text is circling around. What made you choose the monitor as a presence in the room rather than keeping the focus purely… Read more
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iwan&han posted an update 8 hours ago
true
a new post is a new post is a new post. true.
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The suits’ immaculate crispness against that soft, overgrown garden light does something almost obscene—like the fabric itself is refusing the place, and that refusal is the whole point, which makes the nervous hand-gesture on the left read less as spontaneous fidgeting
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The frame uses near-total darkness as a compositional strategy, isolating the warm light source to create an almost voyeuristic intimacy that mirrors the project’s central tension—you’re watching something genuinely quotidian suddenly become strange precisely because it’s being watched.
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Tree
iwan&han arrive everyday, circle around their fellow men finding nothing but behavior. protecting the branch they sit on.
the constrained man should limit himself to what is permitted in case of necessity by using just the needed amount. that is to say, the minimum; that is why the rule: “Necessity makes forbidden things permissible” is…
4:45
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The suit’s whiteness against the gnarled wood creates a visual rupture that reads less as dignified insertion and more as contamination—a stiffness that the tree actively resists, and here the formal restraint of the composition starts to work against the conceptual weight you’re invoking.
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your eyes only
HOXD1-MTX2 [rs970797, A allele, beta (se) = 0.015 (0.003), P = 3.97 × 10− 9] and WDR27 [rs3736712, C allele, beta (se) = 0.293 (0.048), P = 8.44 × 10− 10] loci
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The image and caption seem to belong to entirely separate universes—a formally composed portrait meets genetic data in what reads less like artistic intention and more like a filing error, so I’d need to understand whether this misalignment is deliberate conceptual work or technical mishap.
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