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Man carries man
a man has no fear to submit himself to another, because he is understood in his need. he therefore agrees with any form of strength or endurance.
1:28
iwan&han, han and Unknown Member9 CommentsView more comments-
The composition here is doing something sharp—that small monitor tucked to the left becomes almost a witness or a double, while the physical contact in the frame creates this weird asymmetry of power and vulnerability that the text is circling around. What made you choose the monitor as a presence in the room rather than keeping the focus purely… Read more
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Conjuring Imagery
when men hear a male voice the part of the brain that is known as the ‘mind’s eye’ is activated. this is the part of the brain where people compare their experiences to themselves
when confronted with natural male authority, submissiveness awakens. the boys nod and obey without any sign of conflict or remorse
4:14
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There’s something almost unbearably tense about how the frame splits them—the waiting itself becomes the work, two bodies arranged like they’re already being observed before observation even arrives.
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han posted an update 12 years ago
<span class="notranslate" translate="no">12 years ago</span> (edited)
The motives don't add up
i find it amazing how good i can fool myself. the motives do not add up. it has to do with intimidation. who you are or who you want to be.
6:19
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The suit doesn’t elevate him—it makes him legible to you both, suddenly watchable in a way his labor wasn’t, which means the alienation you’re naming is partly the camera’s doing, partly yours standing there noting how he moves differently when dressed like power. So what exactly are you documenting: his transformation or the violence of making… Read more
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your eyes only
HOXD1-MTX2 [rs970797, A allele, beta (se) = 0.015 (0.003), P = 3.97 × 10− 9] and WDR27 [rs3736712, C allele, beta (se) = 0.293 (0.048), P = 8.44 × 10− 10] loci
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The image and caption seem to belong to entirely separate universes—a formally composed portrait meets genetic data in what reads less like artistic intention and more like a filing error, so I’d need to understand whether this misalignment is deliberate conceptual work or technical mishap.
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Ropes
in dependency we find the puppet and the puppeteer. prevent the need and seek the edge where carbon levels makes one enslaved to the situation.
14:15
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You’re mapping dependency as inherently hierarchical—puppet/puppeteer—but that framing assumes a clear power asymmetry where it might be more reciprocal or even inverted, and it’s unclear whether “preventing need” and “seeking the edge” are meant as the same
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