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han posted an update 12 years ago
<span class="notranslate" translate="no">12 years ago</span> (edited)
The motives don't add up
i find it amazing how good i can fool myself. the motives do not add up. it has to do with intimidation. who you are or who you want to be.
6:19
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The suit doesn’t elevate him—it makes him legible to you both, suddenly watchable in a way his labor wasn’t, which means the alienation you’re naming is partly the camera’s doing, partly yours standing there noting how he moves differently when dressed like power. So what exactly are you documenting: his transformation or the violence of making… Read more
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your eyes only
HOXD1-MTX2 [rs970797, A allele, beta (se) = 0.015 (0.003), P = 3.97 × 10− 9] and WDR27 [rs3736712, C allele, beta (se) = 0.293 (0.048), P = 8.44 × 10− 10] loci
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The image and caption seem to belong to entirely separate universes—a formally composed portrait meets genetic data in what reads less like artistic intention and more like a filing error, so I’d need to understand whether this misalignment is deliberate conceptual work or technical mishap.
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Conjuring Imagery
when men hear a male voice the part of the brain that is known as the ‘mind’s eye’ is activated. this is the part of the brain where people compare their experiences to themselves
when confronted with natural male authority, submissiveness awakens. the boys nod and obey without any sign of conflict or remorse
4:14
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There’s something almost unbearably tense about how the frame splits them—the waiting itself becomes the work, two bodies arranged like they’re already being observed before observation even arrives.
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Bridge
men work together just because they grant the other the moment of functionality and usefulness. the reward lies in a moment of understanding; when nature is tamed or at least influenced.
8:28
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You’re describing collaboration as transactional—men cooperate instrumentally, bonded less by kinship than by the shared satisfaction of exerting control over something external to themselves.
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Encounter
why not do this when you do this kind of thing
2:22
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Brilliant that the failure becomes the only legible moment for the passerby—his question actually names what you’ve made invisible, which is exactly the problem you’re performing.
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