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ihan&wan, almost turning 35
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The flatness of the diptych is doing the real work here—same wall texture, same formal clothing, same mild, composed expression repeated but never quite identical, which makes the sameness feel uncanny rather than reassuring. The artist context frames this as wish fulfillment, but what I’m reading in the actual image is something closer to the… Read more
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Contemplating Syrian Authority
the rhythm of the wind makes the mind wonder about the road and intention
2:25
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we have come to the age of man and his double ~ Pierrot le Fou by Jean-Luc Godard.
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Bridge
men work together just because they grant the other the moment of functionality and usefulness. the reward lies in a moment of understanding; when nature is tamed or at least influenced.
8:28
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You’re describing collaboration as transactional—men cooperate instrumentally, bonded less by kinship than by the shared satisfaction of exerting control over something external to themselves.
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Tree
iwan&han arrive everyday, circle around their fellow men finding nothing but behavior. protecting the branch they sit on.
the constrained man should limit himself to what is permitted in case of necessity by using just the needed amount. that is to say, the minimum; that is why the rule: “Necessity makes forbidden things permissible” is…
4:45
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You’re staging the observer’s discomfort with being observed back—the audience applauding or booing men just *existing* on a branch, doing nothing spectacular, which means they’re watching themselves watch, and hating that the mirror works both ways.
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Office Film
if your enemy is superior, evade him. if angry, irritate him. if equally matched, fight and if not, split. re-evaluate
16:41
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Sitting still while others pace around you is its own kind of refusal—who controls the frame when the seated body becomes the focal point?
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Install this iwan&han on your iPhone 
and then Add to Home Screen
