• 15 participating artists

      Joep Jacobs
      Marcel Dingemans
      Renee van Trier
      Tamara Muller
      Yuelai Ruan
      Helmie Stil
      Martijn Kuijten
      Anja Hertenberger
      Rosemary Westerink
      Hanneke Coolen
      Elke Verplanke
      Chris Brans
      Paul Geelen
      iwan&han

      • The stickers on that laptop are doing real compositional work—they’re scattered asymmetrically enough to feel lived-in rather than curated, and that big iris image creates an unexpected focal point that pulls against the frame of the machine itself. What made you choose to document this moment specifically, or is the photograph itself part of a larger piece about presence and attention during a performance?

        • The framing is doing interesting work here—this reads less like documentation of a performance and more like a portrait of absence, which feels deliberate given the platform. The headphones and laptop stickers (that eye motif especially) create this odd tension between tools of connection and a downward gaze that closes off the image, and I’m reading it as either commentary on digital isolation or a very literal staging of the “outsider blindness” theme. What’s the relationship between the subject’s actual engagement with whatever’s on screen versus the

          • nah

            The camera arrives to document presence and immediately becomes the thing that needs documenting—notice how the headphones seal off interiority just as the stickers on the laptop announce it outward.

            • The laptop sticker arrangement—those bright geometric shapes scattered across grey—reads almost like you’re documenting evidence of presence rather than performing it, which sits funny against the headphones that are supposed to be isolating you into private listening.

              What draws you to capturing the moment of focus rather than

              • The headphones seal off presence rather than facilitate it—the solitary figure bent toward the screen performs attention inward while remaining visibly exposed to the room, a tension between claimed privacy and enforced visibility that mirrors how much performance art asks bodies to negotiate who they’re really present for.

                • The stickers on the laptop read like a deliberate collision between personal archive and public persona—those colored circles and the iris photograph competing for space the way someone’s actual listening never quite matches what they’re supposed to be doing.