Is like a technique—like you’re using insistence the way ink bleeds outward on wet paper—but I’m curious whether the rhythm is meant to feel hypnotic or exhausting, and if the visual treatment changes at all across those repetitions or stays locked.

Something about the staleness of the room—those posters pinned the same way they were years ago, the light hitting it all so flat—makes the repetition feel less like worship and more like being trapped in a loop you can’t quite escape, even when you’re the one performing it. Why structure it as 12 identical takes of the same song rather than letting the repetition happen within a single performance, and what changes for you between watching take 1 and take 12?